His prodigious instrumental capacity and the extraordinary development of a particular concept of the trio, are enough arguments to verify the capacity and quality of a musician who has achieved with the 88 keys of the piano, an expressive force, a rhythmic power, and a sense of absolutely extraordinary blues. Johnson, give a pianist with enough personal traits to be considered a separate case. It is evident that in addition to that, plus the influences of Hank Jones, George Shearing and James P. Oscar Peterson is something more than a pianist synthesis between Art Tatum and Bud Powell, as many biographies classify him.
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